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NORTH AMERICAN Newsline                                           FEBRUARY 23, 2024        |  The Indian Eye 26


                  Rachna Nivas’ ‘Reclaiming the Divine




            Feminine’ to World premiere on  March 1





             One of the most accomplished kathak dance practitioners of her generation,

              Rachna’s work takes audiences into the dark and mystical realm of tantra




        OUR BUREAU                                                                                            came the genesis of her newest solo
                                                                                                              work, ‘Reclaiming the Divine Femi-
        New York, NY
                                                                                                              nine’. To complete this work, Rach-
              he world premiere of  Re-                                                                       na was awarded the 2023-24 CUNY
              claiming the Divine Feminine                                                                    Dance Initiative Residency. Her ad-
        Tis scheduled for March 1-2,                                                                          ditional original works include ‘Un-
        2024 at New York Live Arts. Creat-                                                                    edited’, a risk-bound tour-de-force
        ed and performed by Rachna Nivas,                                                                     solo highlighting improvisation with
        renowned kathak dance artist and                                                                      live musicians; SPEAK, a cross-cul-
        Co-Artistic Director of Leela Dance                                                                   tural collaboration bringing together
        Collective, this work takes audiences                                                                 leading women in kathak and tap,;
        into the dark and mystical realm of                                                                   Son of the Wind, a large-scale Ra-
        tantra, hailing independent feminine                                                                  mayana dance drama. Notable tours
        power as the universe’s primordial                                                                    of her works include LA’s Broad
        energy.                                                                                               Stage and Ford Theaters, San Fran-
        With live music, special lighting                                                                     cisco’s Yerba Buena Center for the
        and prop design, Nivas embodies                                                                       Arts, Mumbai’s Royal Opera House,
        Kali – Goddess of Time and Death                                                                      New Delhi’s Epicenter, Maui Arts
        who epitomizes the paradoxes of                                                                       and Cultural Center, Philadelphia’s
        feminine wholeness and illuminates a                                                                  Kimmel Center.
        woman’s path to reclaiming her limit-                                                                     As an educator and community
        lessness. This performance promises   inine  is  a  project  that  germinated   Musical Artists will include Jayanta   organizer, Rachna is currently di-
        to haunt, provoke, and enchant.   from Nivas’ 6-month research jour-  Banerjee,  sitar;  Satyaprakash  Mish-  recting Leela New York’s thriving
            According to Nivas, the tantric   ney for the Jerome Robbins Dance   ra, tabla; Varshini Narayanan, Bans-  training  institution.  She  has  taught
        wisdom goddesses (mahavidyas)     Division prestigious Dance Research   uri flute; Dara Hankins, cello; Neha   in numerous educational residen-
        are some of the most radical yet in-  Fellowship at New York Public Li-  Tummala, vocals.             cies,  most notably  at  Verdon/Fosse
        visible iconography of South Asian   brary for the Performing Arts. The   Rachna  Nivas  is  a  performing   Legacy, Kuperberg Center for the
        civilization. She says, “Tantra, which   2022-23 theme being  Dance and   artist,  choreographer,  educator,  Arts, New Orleans’ Treme Center,
        was birthed in tribal India, has been   Ecology,  Nivas  presented  a culmi-  community organizer, scholar, and   Miami’s Conservatory of Arts.
        highly denigrated and stereotyped in   nating talk and dance with live music   activist of Indian classical art. She is   Leela Dance Collective is
        the West to be about sex and freakish   titled Nature, Woman, and the Mac-  one of the most accomplished kath-  a  bi-coastal  artist-led  and  wom-
        practices. It’s tragic how little folks   rocosm: How Indian classical dance   ak dance practitioners of her gener-  en-led internationally touring dance
        know about this powerful paradigm,   transmits a consciousness of indivis-  ation. A radical artist whose practice   company bringing the richness and
        even in India itself due to its unortho-  ibility. It showcased the intersection-  is both deeply protective of tradition   depth of Indian classical dance to
        dox departure from patriarchal struc-  ality of Indian classical dance with   but also interrogative, she keeps alive   contemporary audiences worldwide
        tures and what we consider ‘wild’ and   ecofeminism,  interconnectedness,  one of the most important lineages   through traditional works and cross-
        ‘horrific’ imagery of a woman.”   and non-duality. Curator of the Je-  of classical Indian dance. Called by   genre collaborations.
            The phrase “divine feminine”   rome Robbins Dance Division, Lin-  critics “revelatory”, “charismatic”,   Under the artistic direction of
        has  been  gaining  popularity  recent-  da Murray, says, “Rachna is one of   “a dancer who radiates power and   renowned  kathak  artists  Rachna
        ly, but Nivas hopes to expand and   the most accomplished Kathak prac-  grace”, her work is rooted in fem-  Nivas, Rukhmani Mehta, and Sei-
        deepen its understanding. She says,   titioners working in the US today. A   inine consciousness and Eastern   bi Lee, the Collective has garnered
        “Tantra’s ‘divine feminine’ is a rare   radical artist whose practice is both   philosophies that challenges Euro-  critical acclaim engaging some of to-
        concept in that she is not just a re-  deeply respectful of tradition but also   centric cultural paradigms. After   day’s leading dancers and musicians,
        vered  nurturing  consort  to  a male   interrogative, she keeps alive one of   rising to principal dancer in legend-  as well as collaborative artists of
        deity, but rather an entirely inde-  the most important lineages of Indi-  ary master Chitresh Das’ acclaimed   other genres. through groundbreak-
        pendent and autonomous power, not   an classical dance and is a crucial fig-  company for 15 years, she is now   ing productions like SPEAK, Son of
        depicted with a partner or even as a   ure for understanding the integration   co-founder and co-artistic director   the Wind, ReSound, and more. Past
        mother. My own life has taken me to   of Indian culture into the American   of Leela Dance Collective and is   highlights include appearances at
        deep self-inquiry and brought me to   dance mosaic.”                building her own solo body of work   Ford Theaters, BroadStage, Kimmel
        discover how  profound  and  liberat-  In addition to the NYPL,  Re-  in a generative chapter of her artistic   Cultural Campus, Green Music Cen-
        ing these goddesses are. They have   claiming the Divine Feminine is sup-  journey.                   ter, Yerba Buena Center for the Arts,
        the power to transform and reclaim   ported by New York Live Arts under   Rachna was a New York Pub-  National Centre for the Performing
        a woman’s wild limitlessness nature.”  their Independent Works program   lic Library for the Performing Arts   Arts, Mumbai, Maui Arts & Cultural
            Reclaiming the Divine Fem-    and  CUNY  Dance Initiative.  Live   Dance Research Fellow which be-  Center, and NC State LIVE.


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