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NORTH AMERICAN Newsline                                                  JULY 05, 2024     |  The Indian Eye 24


         Jazzstani Musical Evening








        NEERAJ DHAR
        San Jose, CA
              repare to be transported on
              a sonic and visual journey!
        PThe Stanford Jazz concert
        was nothing short of an unexpected
        explosion, blowing you through the
        horizon.  The blend  of  the  ancient
        roots of Hindustani vocals with the
        improvisational energy of different
        jazz-oriented sounds, along with
        Kanjira, an ancient Indian instru-
        ment created  a  musical  metamor-
        phosis. As I approached the theater
        decorated with colorful flowers and
        vibrant art pieces, I felt a new sense
        of excitement and curiosity of what’s
        to come.
            Inside, the stage was illuminated
        with multicolored lights that shone
        on the performers. Frank Martin,
        who evoked emotions through the
        touch of a key, Scott Amendola, who
        brought the collaborative spirit with
        his creative beats, Kai Eckhardt, who
        was  a  backbone  of  the  band  with
        bass. It was our privilege to witness
        Selvaganesh’s “Shakti”, his energet-
        ic bhols and beats sent shivers down
        the spines. The legendary George
        Brooks captivated the audience with
        his mesmerizing rendition of the ra-
        gas. The very talented Mahesh Kale’s
        charisma was undeniable and his
        performance transcended the phys-
        ical, touching the soul of the audi-
        ence. The blend of these two styles
        allowed for a unique and lively con-
        cert experience that resonated with   cals, these elements come together   down the music heritage. Cheering
        the audience.                     to create a captivating performance.   audience showing appreciation to
            The concert opened with an in-  Something particularly fascinating   the performers, also got a chance to
        strumental piece that constantly shift-  was how the instruments didn’t just   perform when Mahesh encouraged
        ed, making the next sound unpredict-  coexist, they came together to cre-  them to sing along with him, enhanc-
        able. Jazz is traditionally envisioned   ate a beautiful unique wall of sound,   ing the joy of being an audience. The
        as a slow tempo and softer sound, but   creating joy, excitement and an infec-  younger crowd found fusion music
        this performance was electrifying,   tious energy. It was a delight to watch  to be a creative outlet, considering
        and completely changed an outlook      the playful competition where   individual genres can be limiting at
        that a lot of the audience had. The   Scott and Selvaganesh challenge   times. It is important to mix genres
        first  vocal  piece  that  Mahesh  Kale   and respond to each other’s impro-  that can be altered to break boundar-
        picked was an eight-hundred year old   visations, creating a dynamic and en-  ies and push creative limits. And also
        poem, and despite being so old it still   gaging experience for the audience.   the slots between the songs where
        sounded contemporary coming from   Mahesh brilliantly included a ghazal   the artists would talk were found in-
        him. Mahesh and George seem to in-  accompanied by George on piano   sightful and humorous. This helped   with various traditional and modern
        tertwine adding depth and warmth to   adding a subtle harmonic support to   the younger audience to better con-  instruments  can  jolt  your  attention
        the sound, such that George is play-  balance the vocal melodic structure   nect to the music, artists and the   and keep your senses intrigued, this
        ing chords strong and softly, based   creating a sound that is both familiar   bond they share with each other.  truly transports you to a new son-
        on Mahesh’s dynamic vocal range   and innovative.                       Fusion  music is  a  great way  to   ic  experience. The  event concluded
        creating an emotional expression      Mahesh included, encouraged   embrace various cultures’ music all in   with a sweet treat from India served
        that brought lyrics to life. Each in-  and guided his students in the perfor-  one. When we are used to hearing ra-  by smiling ICMA volunteers and the
        strument  contributed uniquely  and   mance preserving the guru-shishya   gas or alaaps with tanpura and tabla,   audience walked out with every sense
        when combined with Mahesh’s vo-   tradition reflects his vision of passing   the new experience of hearing ragas   awakened and delighted.


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