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JANUARY 02, 2026      |  The Indian Eye 27


                                     BIGGEST ENTERTAINERS OF 2025



        Smriti Irani in 2025: Politics, Prime



          Time and the Power of Reinvention






           Balancing public life and popular culture, Smriti Irani in 2025 re-emerged as both a key BJP

                  organizer and a television icon, redefining what a political comeback can look like.


           n 2025, Smriti Irani occupied a space few Indi-
           an public figures have ever managed to straddle
        Iwith such visibility and confidence. A year after
        her electoral defeat in Amethi, Irani returned to the
        small screen as a prime-time television star even as
        she remained deeply  embedded in the Bharatiya
        Janata Party’s organizational and ideological work.
        The result was a rare dual identity: a politician
        without a parliamentary seat but with national in-
        fluence, and an actor reclaiming a cultural role that
        once defined Indian television.
            Her return to acting was nothing short of his-
        toric. In July 2025, Irani reprised the role of Tul-
        si Virani in Kyunki Saas Bhi Kabhi Bahu Thi 2, a
        150-episode reboot of the show that had made her
        a  household  name  in  the  early  2000s.  Produced
        by Ektaa Kapoor and premiering on Star Plus on
        July 29, the series reunited Irani with original co-
        star Amar Upadhyay, who returned as Mihir. The
        nostalgia-driven reboot quickly became one of the
        most-watched shows on Indian television, reported-
        ly drawing close to five crore viewers every month.
            The comeback was also commercially unprece-
        dented. Irani became the highest-paid actor in the
        history of Indian television, earning a reported `14
        lakh per episode. In an industry often marked by
        pay disparities and opaque contracts, the figure it-  her readiness to take on assignments in upcoming   She also made headlines for her outspoken
        self became part of the story—symbolizing not just   state elections, including Bihar, signaling that elec-  cultural  interventions.  When  Aditya  Dhar’s  film
        her star power, but the leverage of a performer re-  toral defeat had not reduced her standing within the   Dhurandhar faced online backlash, Irani publicly
        turning after two decades with an unbroken emo-  party’s central leadership. For Irani, 2025 was less   defended the film, praising its depiction of sacrifice
        tional connect to audiences.                 about personal electoral ambition and more about   and realism. The gesture reinforced her long-stand-
            Yet Irani was careful to define the terms of her   institutional relevance.            ing position that art and storytelling should not be
        return. Even at the height of the show’s success, she   Her influence also extended beyond domestic   judged solely through political filters.
        repeatedly described acting as a “side project,” in-  politics. In international forums, Irani continued   Irani’s  personal  reflections  in  2025  carried  a
        sisting that she remained a “full-time politician and   to position herself as a global advocate on issues   sharper edge of self-definition. Speaking at various
        part-time actor.” The clarification was more than   of gender equity and leadership. She represent-  summits in March, she underlined that her politi-
        rhetorical. Throughout 2025, Irani maintained an   ed India at the World Economic Forum in Davos,   cal journey did not begin in 2014 and would not be
        active schedule within the BJP, working largely be-  where she helped establish a partnership network of   confined  to  electoral  outcomes.  “I  existed  before
        hind the scenes as an organizer, strategist and pub-  around 10,000 international companies focused on   2014,” she remarked, framing her career as one of
        lic advocate.                                advancing gender inclusion in the workplace. These   constant reinvention rather than linear ascent. The
            Her political role after the 2024 loss evolved   engagements reinforced her transition from a min-  statement resonated as both a defense and a decla-
        rather than diminished. In Delhi, Irani became   isterial administrator to a broader political commu-  ration—of continuity, resilience and ambition.
        deeply involved in the BJP’s membership drive, su-  nicator on the global stage.              By the end of 2025, Smriti Irani had reasserted
        pervising district-level units and strengthening grass-  Public engagement remained a defining feature   control over her public narrative. She was no lon-
        roots structures. Her relocation to a new residence   of her year. In November 2025, Irani participated   ger just a former Union minister or a defeated MP,
        in South Delhi triggered speculation about a possi-  in the Sahitya Aajtak session titled “Kyunki Smriti   nor merely a television star returning for nostalgia’s
        ble Chief Ministerial role ahead of the 2025 Delhi   Lekhak Bhi Hai”, where she spoke candidly about   sake. Instead, she emerged as a figure comfortable
        Assembly elections, speculation she neither con-  women’s struggles in balancing family responsibil-  with contradiction: a politician thriving outside elec-
        firmed nor dismissed. Instead, she emphasized her   ities with professional ambition. The session high-  toral office, and an actor commanding prime time
        availability for any responsibility the party assigned.  lighted a lesser-known aspect of her public perso-  while insisting that power, for her, still lay elsewhere.
            Nationally, Irani remained a visible face of the   na—that of a writer and reflective thinker—adding   In a year defined by reinvention, Smriti Irani
        BJP’s organizational discipline. She publicly stated   depth to her otherwise polarizing image.  proved that relevance in Indian public life


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